About Connie Tklau

Connie Tklau, i.e. Connie Lau (Lykke) is a visual designer and artist working across Hong Kong and Europe. She is an associate member of the Hong Kong Designers Association (HKDA). Her design work has earned international recognition. She received London Design Awards and MUSE Design Awards for her festive packaging design for the pastry brand Les Lunes à Deux. She also won the Champion prize in the mascot design competition for the Communications Authority in Hong Kong, which her mascot design, CommBo, is currently served as the Authority’s mascot and expected to be served for a decade.

Trained in both design and language, she holds a Master of Arts in English Language and Linguistics from the University of Leicester in the UK, and is currently pursuing a Master's in Communication Design at SPD — Scuola Politecnica di Design in Milan, Italy. Her education has taken her through Hong Kong, the UK, Italy, and Norway, shaping a cross-cultural perspective that now informs her visual practice.

Her professional path initially spanned digital editorial, copywriting, and brand strategy. She served as Digital Editor at POPLADY, an online fashion and lifestyle publication, where she shaped content around global trends and cultural conversations. She later worked as an English Copywriter at Lane Crawford, producing fashion, beauty, and lifestyle copies for both online and in-store platforms. In later years, she held roles as Senior Graphic Designer and Communications Strategist across a range of sectors in both full-time and freelance positions — from a US-based essential oils brand, doTERRA and a start-up connecting parents with postnatal professionals, Parachute, one of Asia's most influential think tanks and Our Hong Kong Foundation to a top-tier FMCG business, Les Lunes à Deux.

Beyond her commercial and award-winning work, Connie pursues a personal practice as a visual artist rooted in urban observation and geometric abstraction. Her ongoing series, Kiosks of Elsewhere, distills the everyday architecture of city kiosks into vector-based compositions and Risograph-printed zines — transforming functional street furniture into curated visual artefacts. This work has been exhibited as framed prints and printed matter, bridging digital design and tactile, material expression. Her first solo visual art exhibition based on this series was in June 2026 in Milan, Italy. More global exhibitions are in the pipeline.

In her spare time, she documents coffee culture through her Instagram page, shoots film photography, and once studied Italian and Norwegian — all part of a sustained curiosity about place, language, and the quiet details of everyday life.

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